This is a comprehensive study of a major figure of the modern
movement, in whose work philosophy, architecture and painting are
inextricably entwined. From the founding of the periodical De Stijl
in 1917, van Doesburg occupied a central position in the
development of a Modernist aesthetic. His early career was
concentrated on poetry and painting, but from the inception of De
Stijl and his association with painters and architects such as Piet
Mondrian and J. J. P. Oud, he turned increasingly to architecture
as the locus for the accomplishment of the 'total work of art'. Van
Doesburg became an architectural theorist of international renown,
but encountered disappointment at every turn in his architectural
practice. Projects and buildings became object-lessons in the
fundamental principles of architecture; theory was shown to be a
necessary concomitant to practice. Van Doesburg's extreme polemic
guaranteed controversy and conflict so intense that it is still
fresh in the minds of his surviving collaborators and
correspondents. As the flint to the steel of architects like
Gropius and Le Corbusier, as a painter and architect, and as the
editor of De Stijl, he was a key figure in the growth of Modernism.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
February 2010 |
First published: |
November 2009 |
Authors: |
Allan Doig
|
Dimensions: |
244 x 170 x 15mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
280 |
ISBN-13: |
978-0-521-12981-7 |
Categories: |
Books >
Arts & Architecture >
Architecture >
General
|
LSN: |
0-521-12981-8 |
Barcode: |
9780521129817 |
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