Fin de siecle Vienna was once memorably described by Karl Kraus
as a "proving ground for the destruction of the world." In the
decades leading to the World War that brought down the
Austro-Hungarian empire, the city was at once an operetta dream
world masking social and political problems and tension, as well as
a center for the far-reaching explorations and innovations in
music, art, science, and philosophy that would help to define
modernity. One of the most powerful critiques of the retreat into
fantasy was that of the philosopher Ludwig Wittgenstein, whose
early career in Vienna has helped frame debates about ethical and
aesthetic values in culture. In Wittgenstein's Vienna Revisited
Allan Janik expands upon his work Wittgenstein's Vienna
(co-authored with Stephen Toulmin) to amplify a number of
significant points concerning the genesis of Wittgenstein's
thought, the nature of Viennese culture, and criticism of
contemporary culture.
Although Wittgenstein is the central figure in this volume,
Janik places considerable emphasis on other influential figures,
both Viennese and non-Viennese, in order to break down some of the
persistent stereotypes about the philosopher and his surrounding
culture, especially the myths of "carefree" Vienna and Wittgenstein
the positivist. The persistence of these myths, in Janik's view,
stems in part from the inability of many historians to
differentiate past from present in the evaluation of intellectual
currents. Janik reviews a number of figures overlooked in assessing
Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner,
Ibsen, Offenbach, and Georg Trakl. All of these, Janik
demonstrates, are absolutely necessary to understand what was at
stake in the debates on aestheticism and the critique of a modern
culture.
Wittgenstein's efforts to recognize the limits of thought and
language and thus to be fair to science, religion, and art account
for his place of honor among critical modernists. These essays
elucidate Wittgenstein's perspective on our culture.
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