This book examines how film articulates countercultural flows in
the context of the Egyptian Revolution. The book interrogates the
gap between radical politics and radical aesthetics by analyzing
counterculture as a form, drawing upon Egyptian films produced
between 2010 and 2016. The work offers a definition of
counterculture which liberates the term from its Western frame and
establishes a theoretical concept of counterculture which is more
globally redolent. The book opens a door for further research of
the Arab Uprising, arguing for a new and topical model of rebellion
and struggle, and sheds light on the interaction between cinema and
the street as well as between cultural narratives and politics in
the context of the 2011 Egyptian uprising. What is counterculture
in the twenty-first century? What role does cinema play in this new
notion of counterculture?
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