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Terror All Around - The Rhetoric of Horror in the Book of Jeremiah (Hardcover)
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Terror All Around - The Rhetoric of Horror in the Book of Jeremiah (Hardcover)
Series: The Library of Hebrew Bible/Old Testament Studies
Expected to ship within 12 - 17 working days
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Amy Kalmanofsky applies horror theory to the book of "Jeremiah" and
considers the nature of biblical horror and the objects that
provoke horror, as well as the ways texts like "Jeremiah" work to
elicit horror from their audience.Among the many strategies of
persuasive speech, biblical prophets often employ a rhetoric of
horror. Prophets use verbal threats and graphic images of
destruction to terrify their audience. Contemporary horror theory
provides insight into the rhetoric of horror employed by the
prophets.Kalmanofsky begins by analyzing the emotional response of
horror as reflected in characters' reactions to terrifying entities
in the book of "Jeremiah". Horror, she concludes, is a composite
emotion consisting of fear in response to a threatening entity and
a corresponding response of shame either directed toward one's self
or felt on behalf of another. Having considered the nature of
horror, she turns to the objects that elicit horror and consider
their ontological qualities and the nature of the threat they
pose.There are two central monstrous figures in the book of
"Jeremiah" - aggressor God and defeated Israel. Both of these
monsters refuse to be integrated into and threaten to disintegrate
the expected order of the universe. She then presents a close,
rhetorical reading of "Jeremiah" 6 and consider the way this text
works to horrify its audience. The book concludes by considering
fear's place within religious experience and the theological
implications of a rhetoric that portrays God and Israel as
monsters.Over the last 30 years this pioneering series has
established an unrivalled reputation for cutting-edge international
scholarship in Biblical Studies and has attracted leading authors
and editors in the field. The series takes many original and
creative approaches to its subjects, including innovative work from
historical and theological perspectives, social-scientific and
literary theory, and more recent developments in cultural studies
and reception history.
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