Camera Lyrica navigates the intersection between realism and
naturalism, locating moment by moment--the only way it can--the
artful, necessary, and always mysterious transformation that occurs
between the perceiver and perceived. Amy Newman's subjects range
from Audubon's drive for precision, Michelangelo's unfinished
Pieta, Darwin and forty-year old Barbie, to a meditation on the
diversity of Type itself. With grace and dexterity, her intelligent
eye dips into Catholic Mysteries, and the quiet but momentous
domesticity of a backyard quince tree. Hers is a language both lush
and spare, as she filters it and the world through a lucid
imagination, transforming both into something beautiful,
challenging, and wholly new.
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