How does the constant presence of music in modern life - on iPods,
in shops and elevators, on television - affect the way we listen?
With so much of this sound, whether imposed or chosen, only
partially present to us, is the act of listening degraded by such
passive listening? In "Ubiquitous Listening", Anahid Kassabian
investigates the many sounds that surround us and argues that this
ubiquity has led to different kinds of listening. Kassabian argues
for a new examination of the music we do not normally hear (and by
implication, that we do), one that examines the way it is used as a
marketing tool and a mood modulator, and exploring the ways we
engage with this music.
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