Immersing the audience in sound and light Nikita Gale's END OF
SUBJECT subverts understandings of viewership by prompting
spectators to question their subjecthood within 52 Walker's
site-specific installation. Creating an aurally and visually rich
environment, Gale engages with the architecture of the surrounding
space, stimulating all senses through site-specific installation
and muses on the boundaries of performance art. Considering and
fracturing the physical space of the installation, the artist
employs abolitionist ideology and institutional critique to
simultaneously rupture and rebuild facets of the art institution.
With an introduction by Ebony L. Haynes and a suite of poems by
Harmony Holiday, this publication considers Gale's
multidisciplinary approach to address historical hierarchies of
visibility. A text by the esteemed artist Andrea Fraser offers
reflections on the various interventions at play during a gathering
held in the exhibition.
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