Dioramas and panoramas, freaks and magicians, waxworks and
menageries, obscure relics and stuffed animals--a dazzling
assortment of curiosities attracted the gaze of the
nineteenth-century spectator at the dime museum. This distinctly
American phenomenon was unprecedented in both the diversity of its
amusements and in its democratic appeal, with audiences traversing
the boundaries of ethnicity, gender, and class. Andrea Stulman
Dennett's Weird and Wonderful: The Dime Museum in America
recaptures this ephemeral and scarcely documented institution of
American culture from the margins of history.
Weird and Wonderful chronicles the evolution of the dime museum
from its eighteenth-century inception as a "cabinet of curiosities"
to its death at the hands of new amusement technologies in the
early twentieth century. From big theaters which accommodated
audiences of three thousand to meager converted storefronts
exhibiting petrified wood and living anomalies, this study vividly
reanimates the array of museums, exhibits, and performances that
make up this entertainment institution. Tracing the scattered
legacy of the dime museum from vaudeville theater to Ripley's
museum to the talk show spectacles of today, Dennett makes a
significant contribution to the history of American popular
entertainment.
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