Verdi and the French Aesthetic - Verse, Stanza, and Melody in Nineteenth-Century Opera (Book)

Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jerusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vepres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this 2008 text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance.

General

Imprint:	Cambridge UniversityPress
Country of origin:	United Kingdom
Release date:	July 2011
First published:	April 2011
Authors:	Andreas Giger
Dimensions:	254 x 178 x 16mm (L x W x T)
Format:	Book
Pages:	306
ISBN-13:	978-0-521-34954-3
Categories:	Books > Arts & Architecture > Performing arts > Theatre, drama > Opera Promotions
LSN:	0-521-34954-0
Barcode:	9780521349543

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