Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Stage, Stake, and Scaffold - Humans and Animals in Shakespeare's Theatre (Paperback)
Loot Price: R1,204
Discovery Miles 12 040
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Stage, Stake, and Scaffold - Humans and Animals in Shakespeare's Theatre (Paperback)
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The powerful exchanges between stage, stake, and scaffold - the
theatre, the bear garden and the spectacle of public execution -
crucially informed Shakespeare's explorations into the construction
and workings of 'the human'. The theatre's family resemblance to
animal baiting and the spectacle of punishment, its sharing of the
same basic type of performance space - a theatre-in-the-round, a
scaffold, stake or platform surrounded by spectators - bred an
ever-ready potential for a transfer of images and meanings. The
staging of one of these kinds of performance is always framed by an
awareness of the other two, whose presence is never quite erased
and often, indeed, emphatically foregrounded. Situating
Shakespearean drama within its material environment, Andreas
Hoefele explores how this spill-over affects the way Shakespeare
models his human characters and his understanding of 'human
character' in general. His dramatis personae are infused with a
degree of animality that a later, more specifically Cartesian,
anthropology would categorically efface. Readings based on such an
anthropology tend to reduce Shakespeare's teeming multitude of
animal references to a stable marker of moral, social, and
ontological difference, 'beast' being everything 'man' is not or
ought not to be. In contrast, Hoefele argues that Shakespearean
notions of humanity rely just as much on inclusion as on exclusion
of the animal. Humans and animals face each other across the
species divide, but the divide proves highly permeable.
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