In Creance; or, Comest Thou Cosmic Nazarite, Andrew Colarusso
hybridizes lost and unknown spaces, taking his title from a
falconry term for the cord used to restrain a bird. The word
derives from the late fifteenth century, from the French creance
("faith"), also denoting a cord to retain a bird of peu de creance
("of little faith," i.e., which cannot yet be relied upon). Poems
of personal narrative and metaphorical depth speak for the voices
searching-in a world that lashes out or looks right past what
remains tethered to the past-the parts that occupy the whispers of
wanting, the dreams of finally being seen.
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