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Aesthetic Afterlives - Irony, Literary Modernity and the Ends of Beauty (Paperback)
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Aesthetic Afterlives - Irony, Literary Modernity and the Ends of Beauty (Paperback)
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Since the development of British Aestheticism in the 1870s, the
concept of irony has focused a series of anxieties which are
integral to modern literary practice. Examining some of the most
important debates in post-Romantic aesthetics through highly
focused textual readings of authors from Walter Pater and Henry
James to Samuel Beckett and Alan Hollinghurst, this study
investigates the dialectical position of irony in Aestheticism and
its twentieth-century afterlives. Aesthetic Afterlives constructs a
far-reaching theoretical narrative by positioning Victorian
Aestheticism as the basis of Literary Modernity. Aestheticism's
cultivation of irony and reflexive detachment was central to this
legacy, but it was also the focus of its own self-critique.
Anxieties about the concept and practice of irony persisted through
Modernism, and have recently been positioned in Hollinghurst's work
as a symptom of the political stasis within post-modern culture.
Referring to the recent debates about the 'new aestheticism' and
the politics of aesthetics, Eastham asks how a utopian Aestheticism
can be reconstructed from the problematics of irony and aesthetic
autonomy that haunted writers from Pater to Adorno.
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