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Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of the Thirty Years' War (Hardcover, New Ed)
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Sacred Music as Public Image for Holy Roman Emperor Ferdinand III - Representing the Counter-Reformation Monarch at the End of the Thirty Years' War (Hardcover, New Ed)
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Ferdinand III played a crucial role both in helping to end the
Thirty Years' War and in re-establishing Habsburg sovereignty
within his hereditary lands, and yet he remains one of the most
neglected of all Habsburg emperors. The underlying premise of
Sacred Music as Public Image for Holy Roman Emperor Ferdinand III
is that Ferdinand's accomplishments came not through diplomacy or
strong leadership but primarily through a skillful manipulation of
the arts, through which he communicated important messages to his
subjects and secured their allegiance to the Catholic Church. An
important locus for cultural activity at court, especially as
related to the Habsburgs' political power, was the Emperor's public
image. Ferdinand III offers a fascinating case study in monarchical
representation, for the war necessitated that he revise the image
he had cultivated at the beginning of his reign, that of a
powerful, victorious warrior. Weaver argues that by focusing on the
patronage of sacred music (rather than the more traditional visual
and theatrical means of representation), Ferdinand III was able to
uphold his reputation as a pious Catholic reformer and subtly
revise his triumphant martial image without sacrificing his power,
while also achieving his Counter-Reformation goal of unifying his
hereditary lands under the Catholic church. Drawing upon recent
methodological approaches to the representation of other early
modern monarchs, as well as upon the theory of confessionalization,
this book places the sacred vocal music composed by imperial
musicians into the rich cultural, political, and religious contexts
of mid-seventeenth-century Central Europe. The book incorporates
dramatic productions such as opera, oratorio, and Jesuit drama (as
well as works in other media), but the primary focus is the more
numerous and more frequently performed Latin-texted paraliturgical
genre of the motet, which has generally not been considered by
scholars as a vehicle for monarchical representation. By examining
the representation of this little-studied emperor during a crucial
time in European history, this book opens a window into the unique
world view of the Habsburgs, allowing for a previously untold
narrative of the end of the Thirty Years' War as seen through the
eyes of this important ruling family.
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