Amidst continuing debates about the literary canon, Literature,
Culture and Society poses a revealing question--if academics find
it valuable and stimulating to discuss texts ranging from Genesis
to Bladerunner in their leisure time, why do they act as if this is
sacrosanct in their formal work? In this well- argued and
refreshing discussion of the history and importance of literary
criticism, Milner embraces a reality that many in the academy still
fear, that cultural studies is alive, and it's here to stay.
Andrew Milner begins with an introduction to the field of
cultural studies and its parent disciplines of English literature
and sociology. He reviews the defining terms and the theoretical
traditions in a manner that is sophisticated but accessible. He
discusses just how and why cultural studies evolved, and what it
has to offer our appraisal of all texts, be they old or new, print
or film. Milner eschews both cultural populism and literary elitism
in favor of a criticism that is more concerned with value than with
exclusion. The author concludes this significant and insightful
book with a demonstration of his theories, tying together a group
of narratives ranging from Paradise Lost to the latest Frankenstein
films. Literature, Culture and Society cogently examines the
question of scholarship and forcefully demonstrates that rigorous
academic inquiry need not be reserved for dust-covered texts
alone.
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