At the turn of the nineteenth century, publishing houses in London,
New York, Paris, Stuttgart, and Berlin produced books in ever
greater numbers. But it was not just the advent of mass printing
that created the era's "bookish" culture. According to Andrew
Piper, romantic writing and writers played a crucial role in
adjusting readers to this overflowing literary environment -
learning how to use and to want books was importantly a product of
the symbolic operations contained within books. Examining novels,
critical editions, gift books, translations, and illustrated
volumes, as well as the communities who made them, Dreaming in
Books tells a wide-ranging story of the book's identity at the turn
of the nineteenth century. In so doing, it shows how many of the
most pressing modern communicative concerns are not unique to the
digital age but emerged with a particular sense of urgency during
the bookish upheavals of the romantic era. In revisiting the book's
rise through the prism of romantic literature, Piper aims to revise
our assumptions about romanticism, the medium of the printed book,
and, ultimately, the future of the book in our so-called digital
age.
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
July 2013 |
First published: |
July 2013 |
Authors: |
Andrew Piper
|
Dimensions: |
154 x 229 x 18mm (L x W x T) |
Format: |
Paperback
|
Pages: |
320 |
ISBN-13: |
978-0-226-10351-8 |
Categories: |
Books
|
LSN: |
0-226-10351-X |
Barcode: |
9780226103518 |
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