Critical Brass tells the story of neofanfarrismo, an explosive
carnival brass band community turned activist musical movement in
Rio de Janeiro, as Brazil shifted from a country on the rise in the
2000s to one beset by various crises in the 2010s. Though
predominantly middle-class, neofanfarristas have creatively adapted
the critical theories of carnival to militate for a more democratic
city. Illuminating the tangible obstacles to musical movement
building, Andrew Snyder argues that festive activism with
privileged origins can promote real alternatives to the neoliberal
city, but meets many limits and contradictions in a society marked
by diverse inequalities.Salwa El-Shawan Castelo-Branco, Professor
Emerita, NOVA University of Lisbon
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