Eastern Europe has produced rich and varied film cultures--Czech,
Hungarian, and Serbian among them--whose histories have been
intimately tied to the transition from Soviet domination to the
complexities of post-Communist life. This latest volume in the "AFI
Film" "Readers" series presents a long-overdue reassessment of East
European cinemas from theoretical, psychoanalytic, and gender
perspectives, moving the subject beyond the traditional "area
studies" approach to the region's films. This ambitious collection,
situating Eastern Europe's many cinemas within global paradigms of
film study, will be an essential work for all students of cinema
and for anyone interested in the relation of film to culture and
society.
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