Dr. Waters is one of a new breed of analysts for whom the
interpenetration of politics, culture, and national development is
key to a larger integration of social research. Race, Class, and
Political Symbols is a remarkably cogent examination of the uses of
Rastafarian symbols and reggae music in Jamaican electoral
campaigns. The author describes and analyzes the way Jamaican
politicians effectively employ improbable strategies for electoral
success. She includes interviews with reggae musicians, Rastafarian
leaders, government and party officials, and campaign managers.
Jamaican democracy and politics are fused to its culture; hence
campaign advertisements, reggae songs, party pamphlets, and other
documents are part of the larger picture of Caribbean life and
letters. This volume centers and comes to rest on the adoption of
Rastafarian symbols in the context of Jamaica's democratic
institutions, which are characterized by vigorous campaigning,
electoral fraud, and gang violence. In recent national elections,
such violence claimed the lives of hundreds of people. Significant
issues are dealt with in this cultural setting: race differentials
among Whites, Browns, and Blacks; the rise of anti-Cubanism; the
Rastafarians' response to the use of their symbols; and the current
status of Rastafarian ideological legitimacy.
General
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