Resurrecting Erotic Transgression presents a feminist theological
methodology based in the poststructuralism of Julia Kristeva (b.
1941). This methodology provides the means for subjecting ambiguity
or bringing into human communication (including theology) a
recognition of the multiplicity of language and identity. Such
recognition arises from sustained attention to the otherness or
alterity of language and subjectivity. This attention produces an
ambivalent enjoyment (jouissance) of the shattering of the idea of
identity as unitary and singular, and an overturning of the effect
of extant dualities in language and identity. A method of poetic
reading is proposed with a three stage process: articulation of the
dualities present in and around a focal discourse; subversion of
these dualities through a range of strategies; and the
re-presentation of the discourse emphasising its ambiguous nature.
Kristeva's account of poetic language identifies a form of writing
that precipitates jouissance. The concept of poetic language is
appropriated for the claim that jouissance might also be the
outcome of the reproduction or interpretation of discourse (i.e.
reading), as well as of d
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