Michael Chekhov and Sanford Meisner: Collisions and Convergence in
Actor Training offers a comprehensive analysis of the Sanford
Meisner Acting Technique in comparison to the Michael Chekhov
Acting Technique. This compilation reveals the connections as well
as the contradictions between these two very different approaches,
while highlighting meaningful bridges and offering in-depth essays
from a variety of sources, including master teachers with years of
experience and new and rising stars in the field. The authors
provide philosophical arguments on actor training, innovative
approaches to methodology, and explorations into integration, as
well as practical methods of application for the classroom or
rehearsal room, or scaffolded into a curriculum. Michael Chekhov
and Sanford Meisner: Collisions and Convergence in Actor Training
is an excellent resource for professors teaching Introductory,
Intermediate or Advanced Acting Technique as well as acting program
directors and department chairs seeking new, impactful research on
actor training.
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