For twenty-five years, Ann Cooper Albright has been exploring the
intersection of cultural representation and somatic identity in
dance. For Albright, dancing is a physical inquiry, a way of
experiencing and participating in the world, and her writing
reflects an interdisciplinary approach to seeing and thinking about
dance. In her engagement as both a dancer and a scholar, Albright
draws on her kinesthetic sensibilities as well as her intellectual
knowledge to articulate how movement creates meaning. Throughout
Engaging Bodies movement and ideas lean on one another to produce a
critical theory anchored in the material reality of dancing bodies.
This blend of cultural theory and personal circumstance will be
useful and inspiring for emerging scholars and dancers looking for
a model of writing about dance that thrives on the
interconnectedness of watching and doing, gesture and thought.
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