In these spirited and powerfully written essays, a new
generation of intellectuals makes its mark, challenging
conservatives and liberals alike to chart a new course for a
responsible politics in contemporary society. A new intellectual
movement on the left emerges here. No longer trapped by the old
polarizing antagonism between Marxism and feminism, these authors
demonstrate as never before the need for an awaremess of gender as
it affects every aspect of our society. At the same time, these
paradigmatic essays map out a new terrain for feminist thinking,
one that fully recognizes the complex workings of gender and leaves
oppositional feminism far behind.
In the keynote essay, Ambivalence as Alibi, Rosemary Hennessy
challenges the most basic assumptions of postmodern sophistication
to forge a compelling sytheseis of political, economic, and
artistic theory. Betty Joseph, Jennifer Brody, and Poonam Pillai
break through the shibboleths of Western liberal tolerance to
describe gender inequalities that are intrinsically inter-cultural.
Eileen Cleere demonstrates that novels are an important source for
understanding how people interpret the economic conditions in which
they live, linking social history and literary criticism in a
provocative new way. Bridget Elliott uncovers the unusual social
and artistic imagination of Marie Laurencin, an artist who was both
working-class and avant-garde, and who makes us rethink basic
assumptions of artistic form in the visual representation of women.
Laura Lyons, analyzing the no-wash protest among IRA prisoners,
discovers a new kind of political protest that draws on performance
art and the discourse of the body for its political symbolism. And
Joseph Litvak, in a highly suggestive critical reading, makes us
wonder if the New Historicism may possibly owe its greatest debt to
the charming young men of Jane Austen's fictitious world.
go to the Genders website ]
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