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The 'Do-It-Yourself' Artwork - Participation from Fluxus to New Media (Paperback)
Loot Price: R614
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The 'Do-It-Yourself' Artwork - Participation from Fluxus to New Media (Paperback)
Series: Rethinking Art's Histories
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Viewers of contemporary art are often invited to involve themselves
actively in artworks, by entering installations, touching objects,
performing instructions or clicking on interactive websites. Why
have artists sought to engage spectators in these new forms of
participation? In what ways does active participation affect the
viewer's experience and the status of the artwork? Spanning a range
of practices including kinetic art, happenings, environments,
performance, installations, relational and new media art from the
1950s to the present, this critical anthology sheds light on the
history and specificity of artworks that only come to life when you
- the viewer - are invited to 'do it yourself.' The volume consists
of fifteen essays by art historians, critics and curators, which
are divided into three sections. Part I addresses the emergence of
spectator participation in the 1960s, while Part II brings together
in-depth case studies of specific participatory practices in the
1960s, 1970s and 1990s, analysing the issues that they raise in
their very modes of operation. The more general critical essays in
Part III map out a range of theoretical approaches to the
'do-it-yourself' artwork. Together, the three sections provide
invaluable historical perspectives and theoretical tools for
scholars, students, artists and readers interested in contemporary
art. Rather than a specialist topic in the history of twentieth-
and twenty-first century art, the 'do-it-yourself' artwork raises
broader issues concerning the role of the viewer in art, the status
of the artwork and the socio-political relations between art and
its contexts.
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