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Ingardeniana III - Roman Ingarden's Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature (Hardcover, 1991 ed.)
Loot Price: R6,098
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Ingardeniana III - Roman Ingarden's Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature (Hardcover, 1991 ed.)
Series: Analecta Husserliana, 33
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In the footsteps of Ingardeniana II, this volume marks the 20th
anniver- sary of Roman Ingarden's death, partly focusing upon his
thought, partly bringing his aesthetics into the present-day
framework of research. It might have appeared puzzling to the
followers of our Analecta Husserliana why within the original
horizon encircled by the research work of our International Society
of Phenomenology and Literatur- whose research work is devised in a
diametrically opposed direction to that of Roman Ingarden - there
is steadfastly running through our discussions a line of
Ingardenian reflection. The reason, as I have pointed out in the
introduction to Ingardeniana II, expertly edited by Hans Rudnik, is
clear: Ingarden's analysis of the intentional structures of works
of art offers in its distinct and clear-cut forms an 'objective'
correlate - as well as a point of reference - to the vast conundrum
of issues concerning the creative endeavor of the writer, poet,
artist in their struggle to endow life with its specifically human
significance; a conundrum that in our research we are trying to
disentangl- elucidating its mysterious ramifications, their sources
and dynamic virtualities. As a matter of fact, Ingarden's thought,
newly interpreted and originally expanded, occupies a legitimate
place in the present collec- tion. We find here, in the first
place, an original expansion of Ingarden's aesthetic theory in the
monograph of ladwiga Smith followed by the essays of Wadaw Osadnik,
Yushiro Takei and Charles Rzepka.
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