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Revisiting the Historiography of Postwar Avant-Garde Music (Hardcover)
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Revisiting the Historiography of Postwar Avant-Garde Music (Hardcover)
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This collection of essays delves into the historiographical
traditions that have dominated how the stories of European postwar
avant-garde music are told, seeking to approach commonplaces of
that history writing from new perspectives. The contributors
revisit subjects as varied as the impact of long-playing records on
the emergence of open works, Messiaen’s interest in non-European
musical traditions, Xenakis’s turn to information theory,
Kagel’s strategic invention of a new genre, Berio’s dependence
on funding from American foundations, and the ways in which figures
like Boulez, Stockhausen, Pousseur, and Nono constructed their
musical ancestries. Leading experts in their respective fields, the
volume’s authors have sought to rethink the historiography of
European experimental music of the 1950s, 1960s, and 1970s in ways
that resituate that small but influential milieu in broader
historical and cultural contexts. In doing so, they suggest new
directions and insights for students and specialists of
twentieth-century music and music historiography.
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