This book challenges the notion of a 'new' India, not by
dismissing it as an imagined India, but by engaging in the debate
as to what constitutes the new. It acknowledges that India is
changing remarkably, while also acknowledging that in the
overzealous enthusiasm about the new India there is collective
amnesia about the other, older India. The essays argue that the
increasing consolidation of capitalist markets of commodity
production and consumption has unleashed not only economic growth
and social change, but also introduced new contradictions
associated with market dynamics in the economic and social spheres
such as agrarian crisis, slow growth of employment, and the
persistence of low-caste exploitation.
The volume also investigates the emergent tensions in art,
architecture, and citizenship. In transforming India into an IT
valley with corporate campuses, appealing to a westernized audience
of technology entrepreneurs, including non-resident Indians abroad,
architecture arguably is not addressing India's economic and social
plight. Art too has taken a commercial turn by catering to the new
middle classes spawned by the global and Indian technology
revolution. The extraordinary economic values they command seem to
jar with the grim economic and social polarization underway. The
book unravels contemporary India in its complexities and uncovers
some of the hidden tensions plaguing the country, and points to the
significance of a widely shared development outcome as an
alternative for social transformation.
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