First published in 1938, The Theatre and Its Double is a collection
of essays detailing Antonin Artaud's radical theories on drama and
theatre, which he saw as being stifled by conservatism and lack of
experimentation. Containing the famous manifestos of the 'Theatre
of Cruelty', the collection analyses the underlying impulses of
performance, provides some suggestions on a physical-training
method for actors and actresses, and features a long appreciation
of the expressive values of Eastern dance drama.
General
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