Anu Koivunen analyses the historicity as well as the
intertextuality and intermediality of film reception by focusing on
a cycle of Finnish family melodrama and its key role in thinking
about gender, sexuality, nation, and history. Koivunen argues that
the Niskavuori films have mobilised readings in terms of history
and memory, feminist nationalism and mens movement, left-wing
allegories and right-wing morality as well as realism and
melodrama.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!