The long seventeenth century in China was a period of tremendous
commercial expansion, and no literary genre was better equipped to
articulate its possibilities than southern drama. As a form and a
practice, southern drama was in the business of
world-building—both in its structural imperative to depict and
reconcile the social whole and in its creation of entire economies
dependent on its publication and performance. However, the early
modern commercial world repelled rather than engaged most
playwrights, who consigned its totems—the merchant and his
money—to the margins as sources of political suspicion and
cultural anxiety. In The Cornucopian Stage, Ariel Fox examines a
body of influential yet understudied plays by a circle of Suzhou
playwrights who enlisted the theatrical imaginary to very different
ends. In plays about long-distance traders and small-time peddlers,
impossible bargains and broken contracts, strings of cash and
storehouses of silver, the Suzhou circle placed commercial forms
not only at center stage but at the center of a new world coming
into being. Here, Fox argues, the economic character of early
modern selfhood is recast as fundamentally productive—as the
basis for new subject positions, new kinds of communities, and new
modes of art.
General
Imprint: |
Harvard University Press
|
Country of origin: |
United States |
Series: |
Harvard-Yenching Institute Monograph Series |
Release date: |
August 2023 |
Authors: |
Ariel Fox
|
Dimensions: |
229 x 152mm (L x W) |
Pages: |
276 |
ISBN-13: |
978-0-674-29375-5 |
Categories: |
Books
Promotions
|
LSN: |
0-674-29375-4 |
Barcode: |
9780674293755 |
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