With the near disappearance of the study of the Classics, students
of literature as well as general readers lack the background to
share the pleasure of Byron's contemporaries, steeped like him in
the Classical literatures, in the constant interplay in his prose
and poetry with the literatures of Greece and Rome. Byron underwent
an intense drilling in Latin and Greek and in works of literature
in both languages. Throughout his life he continued to study the
Classical authors. In this book the author demonstrates how Byron
repeatedly looked to Classical authors as models for his own
compositions, conning as a twenty-year-old Quintilian's Institutes
in preparing his frame-breakers oration in the House of Lords,
studying the plays of Seneca while composing his dramatic works,
turning to Theocritus and Virgil as models in pastoral poetry\ and
to Horace and Juvenal for verse satire; and, finally, setting Homer
and Virgil as foils for his mock epic masterpiece, Don Juan. The
author reveals a level of artistry in Byron's works rarely explored
and appreciated. In this book the author seeks to demonstrate an
entire level of artistry in Byron's poetry and prose rarely
recognized by students and readers in the twenty-first century.
General
Imprint: |
Authorhouse
|
Country of origin: |
United States |
Release date: |
May 2005 |
First published: |
May 2005 |
Authors: |
Arthur D. Kahn
|
Dimensions: |
229 x 152 x 11mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
192 |
ISBN-13: |
978-1-4208-2927-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
1-4208-2927-0 |
Barcode: |
9781420829273 |
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