In Indian Cinema in the Time of Celluloid, Ashish Rajadhyaksha
argues that any exploration of the social uses to which cinema is
put in a place like India can only make sense if it transforms our
understanding of cinema itself. Taking as his timeframe the era of
celluloid, which is also marked by public experiences of
spectatorship and uses of cinema by the state, Rajadhyaksha
examines three moments of crisis for the Indian State in which
cinema played a central role.
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