This first book dedicated to US-Cuban playwright/director Maria
Irene Fornes is a lucid theoretical, historical, and
production-oriented study of Fornes' published works and their
critical legacy. Kent argues that most critics, including a range
of theatre feminists, have yet to fully explicate the incisive
social critique presented in Fornes' work. Examining the complex
relationships between Fornes' aesthetic innovations and her
unconventional social politics, Kent presents a comprehensive,
contextualized study of Fornes work and the critics' response.
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