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Radical Frontiers in the Spaghetti Western - Politics, Violence and Popular Italian Cinema (Paperback)
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Radical Frontiers in the Spaghetti Western - Politics, Violence and Popular Italian Cinema (Paperback)
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Ever more popular in the age of DVDs, eBay and online fandom, the
Spaghetti Westerns of the 1960s have undergone a mainstream
renaissance which has nevertheless left their intimate relationship
to the troubled politics of 1960s Italy unexamined. Radical
Frontiers in the Spaghetti Western reappraises the genre in
relation to the revolutionary New Left and the events of 1968 to
uncover the complexities of a cinematic milieu too often dismissed
as formulaic and homogeneous. Establishing the backdrop of post-war
Italy in which the Roman studio system actively blended Italian and
American culture, Austin Fisher looks in detail at the works of
Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and
Giulio Petroni and how these directors reformatted the Hollywood
Western to yield new resonance for militant constituencies and
radical groups. Radical Frontiers in the Spaghetti Western
identifies the main variants of these militant Westerns, which
brazenly endorsed violent peasant insurrection in the 'Mexico' of
the popular imagination, turning the camera on the hitherto heroic
colonialists of the West and exposing the brutal mechanisms of a
society infested with latent fascism. The ways in which the films'
artistic failures reflect the ideological confusions of the radical
groups is examined and the genre's legacy is reappraised, as the
revolutionary energy of Italy's New Left becomes subsumed amidst
the conflicting agendas of New Hollywood, blaxploitation and the
'grindhouse' revival of Tarantino, Rodriguez and Raimi.Reclaiming
the Spaghetti Western from the domain of the merely cool and
repositioning it within the spectrum of late-1960s radical cinema,
Radical Frontiers in the Spaghetti Western analyses the genre's
narrative and cinematographic inscriptions in their political
context to uncover Far Left doctrines in these tales of outlaws and
sheriffs, banditry and redemptive violence.
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