In this highly individual study, Avrom Fleishman explores a wide
range of literary references to human culture--the culture of
ideas, facts, and images. Each critical essay in Fiction and the
Ways of Knowing takes up for sustained analysis a major British
novel of the nineteenth or the twentieth century. The novels are
analyzed in the light of social, historical, philosophical, and
other perspectives that can be grouped under the human
sciences.
The diversity of critical contexts in these thirteen essays is
organized by Avrom Fleishman's governing belief in the
interrelations of literature and other ways of interpreting the
world. The underlying assumptions of this approach--as explained in
his introductory essay--are that fiction is capable of encompassing
even the most recondite facts and recalcitrant ideas; that fiction,
though never a mirror of reality, is linked to realities and takes
part in the real; and that a critical reading may be informed by
scientific knowledge without reducing the literary work to a
schematic formula.
Fleishman investigates the matters of fact and belief that make
up the designated meanings, the intellectual contexts, and the
speculative parallels in three types of novel. Some of the novels
discussed make it clear that their authors are informed on matters
beyond the nonspecialist's range; these essays help bridge this
information gap. Other fictional works are only to be grasped in an
awareness of the cultural lore tacitly distributed in their own
time; a modern reader must make the effort to fathom their
anachronisms. And other novels can be found to open passageways
that their authors can only have glimpsed intuitively; these must
be pursued with great caution but equal diligence.
The novels discussed include Little Dorrit, The Way We Live Now,
Daniel Deronda, he Return of the Native, and The Magus. Also
examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To
the Lighthouse, Under Western Eyes, Ulysses, and A Passage to
India.
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