A new class is emerging in the wake of the information economy
and is altering American culture. Instead of arguing about values
in aesthetic taste or morality, this book sheds new light on the
culture wars by examining the social sources of recent cultural
developments. Both opponents and defenders of the current cultural
scene have neglected the class factors in culture generally and in
present society. If the new class is added to our picture of
American society, its input into the cultural marketplace helps to
explain present trends in postmodernism, mixtures of high and low
culture, and other recent developments.
Both opponents and defenders of the cultural scene have
neglected the class factors in culture generally and in present
society. Instead of arguing about values in aesthetic taste or
morality, this book offers a new perspective on the culture wars by
inquiring into the social sources of the argument. When a new class
is seen to have emerged in the wake of the information economy, its
effects on cultural taste and style will help to explain both their
strengths and weaknesses.
The book's message is that much of the heat generated in the
culture wars may be lowered and clarification obtained by observing
a principle in social and aesthetic matters: every class has its
culture. When the social functions of both high and popular
cultures are acknowledged, it becomes possible to criticize current
offerings for their effectiveness or limitations in fulfilling
those functions. If the new class is added to our picture of
American society, its input into the cultural marketplace helps to
explain present trends in postmodernism, mixtures of high and low
culture, and other recent developments.
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