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On the Aesthetics of Roman Ingarden - Interpretations and Assessments (Hardcover, 1989 ed.)
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On the Aesthetics of Roman Ingarden - Interpretations and Assessments (Hardcover, 1989 ed.)
Series: Nijhoff International Philosophy Series, 27
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Roman Ingarden's very extensive philosophical work in metaphysics,
ontology, epistemology, and aesthetics con tinues to attract
increasing attention both in Poland and in North America. Further
work left uncompleted at his death is appearing. Major
bibliographies of his work as well as of studies about his work are
now in print. Ingar den's scattered articles on various questions
in philosophy are being collected. And conferences devoted to his
work are now held regularly. These diverse activities might suggest
a similar diver sity in Ingarden's philosophical legacy. But such a
sugges tion would be misleading. For interest in Ingarden's work
has continued to centre on the one area which is arguably at the
core of his achievement, namely the complex prob lems of
aesthetics. In this field Ingarden seemed to pull together his
various interests in ontology and epistemology especially. Here he
brought those interests to focus on a set of issues that would
occupy him creatively throughout the vicissitudes of his long and
difficult scholarly life. More over, aesthetics is also the field
where Ingarden perhaps most succeeded in orchestrating the many
themes he owed to his phenomenological training while finally
transposing the central issues into something original, something
dis tinctively his own that philosophers can no longer identify as
merely phenomenological. Ingarden's aesthetics not surprisingly has
captured the interest today of many scholars in different fields."
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