In the title essay, Professor Hardy argues for the special
advantage of lyric over other other literary genres in conveying
intense private feelings publicly. She then gives detailed
consideraton to the lyric poetry of John Donne, Arthur Hugh Clough,
and a group of poets central to the modernist canon: Hopkins,
Yeats, Aden, Dylan Thomas, and Sylvia Plath. Those interested in
W.H. Auden will find the book of particular value, since Auden
occupies a central place in it. W.H. Auden has frequently been held
up as the modern example par excellence of a 'public poet' whose
works betray relatively little in the way of personal emotion. In
the cahpters entitled 'The Reticence of W.H. Auden, Thirties to
Sixties: A Face and a Map' barbara Hardy shows the inadequacy of
that characterization and opens the way for a fresh appreciation of
Auden's achievement as a poet. Readers interested in modern poetry
genearlly and all readers acquainted with Barara Hardy's previous
books will the book of importance.
General
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