A systematic transnational investigation of post-war literary
experiments in Europe and the Americas Clarifies concepts, provides
a well-defined methodology and presents a wide array of
international case studies Introduces the reader to major
experimental authors and avant-garde traditions (that are often
under-discussed) highlighting the transnational and interartistic
context out of which they emerged Puts new figures on the map while
repositioning more established writers. In doing so, it points the
way to further investigations, whose methodological foundations
this book purports to establish What are the forms in which the
avant-garde returns after the Second World War? How does the
literary avant-garde re-invent itself without losing its affinity
with historical avant-garde currents such as surrealism and
futurism? This book explores the international relevance of the
concept of neo-avant-garde for the study of post-war literary
innovations covering North American, Latin American, Caribbean,
Austrian, French, British, Belgian, Dutch and German cases. Each of
the twenty-one newly commissioned chapters combines theoretical
reflection with practical analysis. Together, they provide a
multi-faceted account of diverse group and trends, such as the New
Realists, Black Arts Movement, Labris and the Vienna Group. They
also focus on a wide range of authors, like Pierre Alferi, Amiri
Baraka, Konrad Bayer, Mario Bellat n, Kamau Brathwaite, and Anna
Kavan. In addition, they pay attention to specific techniques,
including erasure, lyricisation, and montage, and to specific
genres such as comic books, experimental fiction, and visual
poetry.
General
Imprint: |
Edinburgh University Press
|
Country of origin: |
United Kingdom |
Release date: |
August 2023 |
Editors: |
Bart Vervaeck
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
424 |
ISBN-13: |
978-1-4744-8610-1 |
Categories: |
Books
|
LSN: |
1-4744-8610-X |
Barcode: |
9781474486101 |
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