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Ripping Open the Set - French Film Design, 1930-1939 (Paperback, New edition)
Loot Price: R1,681
Discovery Miles 16 810
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Ripping Open the Set - French Film Design, 1930-1939 (Paperback, New edition)
Series: New Studies in European Cinema, 13
Expected to ship within 9 - 15 working days
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French film design throughout the 1930s was not just descriptive,
but also expressive: sets were not merely part of the background,
but were vital components of a film's overall atmosphere, impact
and critical afterlife. This was a period when sets were 'ripped
open', as painted backdrops were replaced by three-dimensional
constructions to ensure greater proximity to reality. Accomplished
set designers such as Alexandre Trauner, Jacques Krauss and Eugene
Lourie crafted a series of designs both realist and expressionistic
that brought out the underlying themes of a film's narrative and
helped create an exportable vision of 'Frenchness' that influenced
other European and American film design practices. This book
details the elaborate paraphrasing tendencies of French film design
in the 1930s. The author explores the crucial role of the set
designer in the film's evolutionary process and charts how the
rapid development of studio practices enabled designers to become
progressively more ambitious. The book examines key films such as
Quatorze juillet (1932), Un Carnet de bal (1937), La Grande
illusion (1937) and Le Jour se leve (1939) to demonstrate how set
design works at establishing time and place, generating audience
familiarity and recognition and underpinning each film's visual
style.
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