Ben Moore presents a new approach to reading urban modernity in
nineteenth-century literature, by bringing together hidden, mobile
and transparent features of city space as part of a single system
he calls 'invisible architecture'. Resisting narratives of the
nineteenth-century as progressing from concealment to transparency,
he instead argues for a dynamic interaction between these
tendencies. Across two parts, this book addresses a range of
apparently disparate buildings and spaces. Part I offers new
readings of three writers and their cities: Elizabeth Gaskell and
Manchester, Charles Dickens and London, and Émile Zola and Paris,
focusing on the cellar-dwelling, the railway and river, and the
department store respectively. Part II takes a broader view by
analysing three spatial forms that have not usually been considered
features of nineteenth-century modernity: the Gothic cathedral, the
arabesque and white walls. Through these readings, the book extends
our understanding of the uneven modernity of this period.
General
Imprint: |
Edinburgh University Press
|
Country of origin: |
United Kingdom |
Series: |
Edinburgh Critical Studies in Victorian Culture |
Release date: |
2024 |
Authors: |
Ben Moore
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
256 |
ISBN-13: |
978-1-399-50848-3 |
Categories: |
Books
|
LSN: |
1-399-50848-2 |
Barcode: |
9781399508483 |
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