Benedetto Croce is one of the most influential philosophers of
the twentieth century. His work in aesthetics and historiography
has been controversial, but enduring. When the first edition of
DEGREESEsthetic appeared in 1902, Croce was seen as foremost in
reasserting an idealistic philosophy, which despite its source in
continental idealists from Descartes to Hegel, offers a system that
attempts to account for the emergence of scientific systems. Croce
thus combines scientific and metaphysical thought into a dynamic
aesthetic.
Croce regards aesthetics not merely as a branch of philosophy,
but as a fundamental human activity. It is inseparable from
historical, psychological, political, economic, and moral
considerations, no less than a unique frame of artistic reference.
Aesthetic is composed of two parts: Part One concentrates on
aesthetic theory and practice. Among the topics it covers are:
intuition and expression, art and philosophy, historicism and
intellectualism, and beauty in nature and in art. Part Two is
devoted to the history of aesthetics. Croce analyzes such subjects
as: aesthetic ideas in the Middle Ages and Renaissance,
Giambattista Vico as the inventor of aesthetic science, the
philosophy of language, and aesthetic psychologism.
In his new introduction to a classic translation, John McCormick
assesses Croce's influence in aesthetic theory and historiography.
He notes that the republication of this work is an overdue
appreciation of a singular effort to resolve the classic questions
of the philosophy of art, art for its own sake and art as a social
enterprise; both find a place in Croce's system.
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