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Music, Experiment and Mathematics in England, 1653-1705 (Hardcover, New Ed)
Loot Price: R4,517
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Music, Experiment and Mathematics in England, 1653-1705 (Hardcover, New Ed)
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How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able
to persuade the Royal Society that a musical performance could
constitute a scientific experiment? Or that the judgement of a
musical audience could provide evidence for a mathematically
precise theory of musical tuning? This book presents answers to
these questions. It constitutes a general history of quantitative
music theory in the late seventeenth century as well as a detailed
study of one part of that history: namely the applications of
mathematical and mechanical methods of understanding to music that
were produced in England between 1653 and 1705, beginning with the
responses to Descartes's 1650 Compendium musicA|, and ending with
the Philosophical Transactions' account of the appearance of Thomas
Salmon at the Royal Society in 1705. The book is organized around
four key questions. Do musical pitches form a small set or a
continuous spectrum? Is there a single faculty of hearing which can
account for musical sensation, or is more than one faculty at work?
What is the role of harmony in the mechanical world, and where can
its effects be found? And what is the relationship between musical
theory and musical practice? These are questions which are raised
and discussed in the sources themselves, and they have wide
significance for early modern theories of knowledge and sensation
more generally, as well as providing a fascinating side light onto
the world of the scientific revolution.
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