On October 30, 1947, the House Committee on Un-American
Activities concluded the first round of hearings on the allege
Communist infiltration of the motion picture industry. Hollywood
was ordered to "clean its own house," and ten witnesses who had
refused to answer questions about their membership in the Screen
Writers Guild and the Communist party eventually received contempt
citations. By 1950 the Hollywood Ten, as they quickly became known,
were serving prison sentences ranging from six months to a year.
Since that time the group, which included writers, directors, and a
producer, have been either dismissed as industry hacks or eulogized
as Cold War martyrs, but never have they been discussed in terms of
their profession.
Radical Innocence is the first study to focus on the work of the
Ten: their short stories, plays, novels, criticism, poems, memoirs,
and, of course, their films. Drawing on myriad sources, including
archival materials, unpublished manuscripts, black-market scripts,
screenplay drafts, letters, and personal interviews, Bernard F.
Dick describes the Ten's survival tactics during the blacklisting
and analyzes the contribution of these ten individuals no only to
film but also to the arts. Radical Innocence captures the
personality of each of the Ten -- the arrogant Herbert J. Biberman,
the witty Ring Lardner, Jr., the patriarchal Samuel Ornitz, the
compassionate Adrian Scott, and the feisty Dalton Trumbo.
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