Stories of Mr. Keuner gathers Bertolt Brecht's fictionalized
comments on politics, everyday life, and exile. Written from the
late 1920s till the late 1950s, Stories of Mr. Keuner is the
precipitate of Brecht's experience of a world in political and
cultural flux, a world of revolution, civil war, world war,
cultural efflorescence, Nazism, Stalinism, and the Cold War -- in
short, the first half of the twentieth century. Mr. Keuner said:
"I, too, once adopted an aristocratic stance (you know: erect,
upright, and proud, head thrown back). I was standing in rising
water at the time. I adopted this posture when it rose to my chin."
"At first, they appear almost innocuous, these so-called stories,
anecdotal fragments often of a single page or less. Brecht's
scenarios seem so simple, his style so direct. He expressly wished
what he wrote to be useful. Here he succeeded brilliantly: These
pieces are small enough to be carried away whole, but what they say
is big enough to be equal to the reader." --Johnathon Keats, SF
Gate "Stories of Mr. Keuner finally puts in English translation
this startling and stunning body of work, not only encouraging a
broader appreciation of a playwright famed for fighting inhumanity
in his time, but also effectively questioning integrity in our own
day." --San Francisco Chronicle Book Review "The first English
translation of the great playwright's discursive semifictionalized
observations on German life and politics, as spoken by the
eponymous Keuner (his name from the German "keiner," meaning "no
man"), a "thinking man" obviously inspired by Plato's Socrates.
Written between the 1920s and '50s (and collected for the first
publication in 1956, the year of Brecht's death), they're brief
(often single-paragraph) apercus generally employed to deflate
contemporary pretensions regarding religion, patriotism,
capitalism, exile, and other themes engaged more fully in their
author's celebrated poems and plays (e.g., "I am for justice; so
it's good if the place in which I'm staying has more than one
exit"), but most effectively adumbrated in this revealing coda to
an indisputably major, and still challenging, body of work."
--Kirkus Reviews Bertolt Brecht wrote The Threepenny Opera,
Mahagonny, Mother Courage, The Life of Galileo, and many other
plays, poems, and theoretical writings. Ardent antifascist, friend
to Walter Benjamin, and wily ally of the COmmunists, Brecht was
often on the run, "changing countries more than shoes." As Hitler's
armies advanced, Brecht fled to Denmark, Sweden, Finland, and the
U.S. before finally settling in East Germany after the war, where
he became director of the renowned Berliner Ensemble. Martin
Chalmers (1948-2014) had translated works by Victor Klemperer, Hans
Magnus Enzensberger, Hubert Fichte, and Elfriede Jelinek, among
others. Mr. Chalmers lived in London, where he wrote extensively on
German literature, film, history, and culture.
General
Imprint: |
City Lights Books
|
Country of origin: |
United States |
Release date: |
July 2001 |
First published: |
July 2001 |
Authors: |
Bertolt Brecht
|
Introduction by: |
Martin Chalmers
|
Dimensions: |
179 x 127 x 8mm (L x W x T) |
Format: |
Paperback
|
Pages: |
111 |
Edition: |
1st City Lights ed |
ISBN-13: |
978-0-87286-383-5 |
Categories: |
Books >
Fiction >
General
|
LSN: |
0-87286-383-2 |
Barcode: |
9780872863835 |
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