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Return of King Arthur British and American Arthurian Literature since 1800 (Hardcover)
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Return of King Arthur British and American Arthurian Literature since 1800 (Hardcover)
Series: Arthurian Studies
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The revival of interest in Arthurian legend in the 19th century was
a remarkable phenomenon, apparently at odds with the spirit of the
age. Tennyson was widely criticised for his choice of a medieval
topic; yet The Idylls of the Kingwere accepted as the national
epic, and a flood of lesser works was inspired by them, on both
sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey
the course of Arthurian literature from 1800 to the present day,
and give an account of all the major English and American
contributions. Some of the works are well-known, but there are also
a host of names which will be new to most readers, and some
surprises, such as J. Comyns Carr's King Arthur, rightly ignored as
a text, but a piece oftheatrical history, for Sir Henry Irving
played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan
wrote the music, and Burne-Jones designed the sets. The Arthurian
works of the Pre-Raphaelites are discussed at length, as are the
poemsof Edward Arlington Robinson, John Masefield and Charles
Williams. Other writers have used the legends as part of a wider
cultural consciousness: The Waste Land, David Jones's In
Parenthesis and The Anathemata, and the echoes ofTristan and Iseult
in Finnigan's Wake are discussed in this context. Novels on
Arthurian themes are given their due place, from the satirical
scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark
Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's
serio-comic The Once and Future King and the many recent novelists
who have turned away from the chivalric Arthur to depict him as a
Dark Age ruler. The Return of King Arthurincludes a bibliography of
British and American creative writing relating to the Arthurian
legends from 1800 to the present day.
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