How do issues of form and content shape the documentary film? What
role does visual evidence play in relation to a documentary's
arguments about the world we live in? In what ways do documentaries
abide by or subvert ethical expectations? Are mockumentaries a form
of subversion? Can the documentary be an aesthetic experience and
at the same time have political or social impact? And how can such
impacts be empirically measured? Pioneering film scholar Bill
Nichols investigates the ways documentaries strive for accuracy and
truthfulness and simultaneously fabricate a form that shapes
reality. Such films may rely on reenactment to re-create the past,
storytelling to provide satisfying narratives, and rhetorical
figures such as metaphor or devices such as irony to make a point.
Documentaries are truly a fiction unlike any other. With clarity
and passion, Nichols offers incisive commentaries on the basic
questions of documentary's distinct relationship to the reality it
represents, as well as close readings of provocative documentaries
from this form's earliest days to its most recent incarnations.
These essays offer a definitive account of what makes documentary
film such a vital part of our cultural landscape.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
April 2016 |
First published: |
2016 |
Authors: |
Bill Nichols
|
Dimensions: |
229 x 152 x 18mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
296 |
ISBN-13: |
978-0-520-29039-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-520-29039-9 |
Barcode: |
9780520290396 |
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