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Planets on Tables - Poetry, Still Life, and the Turning World (Hardcover, 2 Rev Ed)
Loot Price: R1,016
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Planets on Tables - Poetry, Still Life, and the Turning World (Hardcover, 2 Rev Ed)
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Poets have long been drawn to the images and techniques of still
life. Artists and poets alike present intimate worlds where time is
suspended in the play of form and color and where history
disappears amid everyday things. The genre of still life with its
focus on the domestic sphere seemed to some a retreat from the
political and economic pressures of the last century. Yet many
American artists and writers found in the arrangement of local
objects a way to connect the individual to larger public concerns.
Indeed, the debates over still life reveal just what is at stake in
the long-standing quarrel over poetry's meaning and usefulness. By
exploring literary works of still life by Wallace Stevens, William
Carlos Williams, Elizabeth Bishop, and Richard Wilbur as well as
the art of Joseph Cornell the eminent critic Bonnie Costello
considers how exchanges between the arts help to establish vital
thresholds between the personal and public realms. In her view,
Stevens and Williams bring the turmoil of history into their
struggle for local aesthetic order; Bishop "studies history" in the
intimate objects and arrangements she finds in her travels;
Cornell, an artist inspired by poetry and loved by poets, links his
dream boxes to contemporary events; and Richard Wilbur seeks to
mend a broken postwar world within the hospitable spheres of art
and home. In Planets on Tables, Costello describes a period when
some of America's greatest poets and artists found in still life a
way to "contemplate the good in the midst of confusion," to bring
the distant near, and to resist rather than escape the pressures of
their times."
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