"Comics and the U.S. South" offers a wide-ranging and long
overdue assessment of how life and culture in the United States
South is represented in serial comics, graphic novels, newspaper
comic strips, and webcomics. Diverting the lens of comics studies
from the skyscrapers of Superman's Metropolis or Chris Ware's
Chicago to the swamps, back roads, small towns, and cities of the
U.S. South, this collection critically examines the pulp genres
associated with mainstream comic books alongside independent and
alternative comics. Some essays seek to discover what Captain
America can reveal about southern regionalism and how slave
narratives can help us reread "Swamp Thing"; others examine how
creators such as Walt Kelly ("Pogo"), Howard Cruse ("Stuck Rubber
Baby"), Kyle Baker ("Nat Turner"), and Josh Neufeld ("A.D.: New
Orleans after the Deluge") draw upon the unique formal properties
of the comics to question and revise familiar narratives of race,
class, and sexuality; and another considers how southern writer
Randall Kenan adapted elements of comics form to prose fiction.
With essays from an interdisciplinary group of scholars, "Comics
and the U.S. South" contributes to and also productively reorients
the most significant and compelling conversations in both comics
scholarship and in southern studies.
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