This study peers behind the veil of architectural styles to the
underlying social microcosm of the 'building world' of the
eighteenth and nineteenth centuries, to examine how the fragile
authority of the architect took root there. Bringing to
architectural history methods more familiar from studies of the
social content of poetry and painting, Brian Hanson is able to
establish often surprising relationships between many of the key
figures of the period - including Chambers, Soane, Barry, Pugin,
Scott and Street - shedding light also on lesser figures, and on
agencies as diverse as Freemasonry and magazine publishing. John
Ruskin in particular emerges here in a different light, as do his
arguments concerning 'The Nature of Gothic'. In line with
rethinking of the pace of industrialization, and the dynamic
between the metropolitan centres and the more slowly evolving
'fringes', Hanson concludes that in some respects Ruskin was closer
to William Chambers than to William Morris.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
September 2011 |
First published: |
June 2011 |
Authors: |
Brian Hanson
|
Dimensions: |
229 x 152 x 22mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
394 |
ISBN-13: |
978-1-107-40331-4 |
Categories: |
Books >
Arts & Architecture >
Architecture >
Theory of architecture
|
LSN: |
1-107-40331-6 |
Barcode: |
9781107403314 |
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