Nineteenth-Century French Drawings explores the history of this
medium, and chronicles the remarkable part it has played throughout
the past decades at the Cleveland Museum of Art. There are works by
such iconic artists as Honoré Daumier, Berthe Morisot and Auguste
Renoir, a luminous coloured pencil study by symbolist artist
Alexandre Séon and a group of “noir” drawings—named for
their use of varied black drawing media—by Henri Fantin-Latour,
Albert-Charles Lebourg and Adolphe Appian, among others. Entries
illuminate the role of drawing within 41 artists’ works and five
essays by leading scholars shed new light on the making and
collecting of drawings in France during this extraordinary period.
In 19th-century France, drawing expanded from a means of artistic
training to an independent medium with rich potential for
experimentation. A variety of new materials became available to
artists, encouraging figures ranging from Jean-Auguste-Dominique
Ingres to Paul Cezanne to reconsider drawing’s place within their
practice. Public and private exhibition venues increasingly began
to display their works, building an audience attracted by the
intimacy of drawings and their unique techniques and subjects.
General
Imprint: |
Giles
|
Country of origin: |
United Kingdom |
Release date: |
2023 |
Authors: |
Britany Salsbury
|
Dimensions: |
279 x 241 x 27mm (L x W x T) |
Format: |
Hardcover - Cloth over boards / With dust jacket
|
Pages: |
200 |
ISBN-13: |
978-1-913875-00-8 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
1-913875-00-8 |
Barcode: |
9781913875008 |
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